K Paoletter 20: Driven to Distraction

The conceit of the Scottish artist Douglas Gordon’s 1993 film “24 Hour Psycho” is simple: the movie Psycho, slowed down to play at two frames per second, an arduous pace that stretches Hitchcock’s masterpiece out to fill an entire day. Point Omega—one of the set of compact, philosophical novels Don DeLillo has occupied himself with… Continue reading K Paoletter 20: Driven to Distraction